DXA studio 40 Greene Avenue October 17, 2017 GREENE AVENUE 4 - - PowerPoint PPT Presentation
DXA studio 40 Greene Avenue October 17, 2017 GREENE AVENUE 4 STORY 4 STORY 4 STORY 4 STORY BUILDING BUILDING BUILDING BUILDING CARLTON AVENUE ADELPHI AVENUE ADJ. 6 STORY BUILDING ADJ. 2 STORY 40 GREENE AVE BUILDING EX'G 1 STORY
DXA studio 40 Greene Avenue October 17, 2017
dxastudio.com 894 6th Avenue 5th Floor NYC 10001 T 212 874 0567
SCALE CLIENT PROJECT NUMBER DATE As Noted PINESTONE GREENE LLC 16.31 OCTOBER 17, 2017
40 GREENE AVE
ADELPHI AVENUE CARLTON AVENUE GREENE AVENUE
BUILDING
BUILDING 1 STORY BUILDING 4 STORY BUILDING
BUILDING
1 STORY4 STORY BUILDING 4 STORY BUILDING 4 STORY BUILDING
40 GREENE AVE
EX'G 1 STORY COMMUNITY GARDEN
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dxastudio.com 894 6th Avenue 5th Floor NYC 10001 T 212 874 0567
SCALE CLIENT PROJECT NUMBER DATE As Noted PINESTONE GREENE LLC 16.31 OCTOBER 17, 2017
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40 GREENE AVE · HISTORIC PHOTOS
1940 TAX PHOTO 1976 HISTORIC PHOTO 2017 PHOTO
dxastudio.com 894 6th Avenue 5th Floor NYC 10001 T 212 874 0567
SCALE CLIENT PROJECT NUMBER DATE As Noted PINESTONE GREENE LLC 16.31 OCTOBER 17, 2017
40 GREENE AVE · HISTORIC STAINED GLASS
PHOTOS CIRCA 1959
dxastudio.com 894 6th Avenue 5th Floor NYC 10001 T 212 874 0567
SCALE CLIENT PROJECT NUMBER DATE As Noted PINESTONE GREENE LLC 16.31 OCTOBER 17, 2017
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40 GREENE AVE · NORTH ELEVATION
RESTORE WOODEN WINDOW TRACERY AT ROSE WINDOW RESTORE DECORATIVE FINIALS RESTORE CAST IRON STEEPLE REMOVE CROSSES RESTORE WOODEN LOUVERS RESTORE STAINED GLASS, INCLUDING LEAD CAMES, GLAZING, AND COVER. REFURBISH HISTORIC WOOD DOORS AND ALL HISTORIC HARDWARE DONATE “PAUL ROBESON THEATRE” SIGN TO LOCAL HISTORICAL SOCIETY CELLAR ENTRYWAYS TO BE SEALED AND REPLACED WITH ADA ACCESIBLE ENTRY . BLOCKED DRAIN TO BE REPLACED REMOVE BOARDED UP WINDOWS AND REPLACE WITH ADA ACCESIBLE ENTRY AND NEW WINDOWS REPAIR EXISTING STAIRS RAISE BASE OF RECESS 4” TO ALLOW FOR TRANSOM ABOVE NEW DOOR/WINDOWS EAST DOOR TO BECOME INOPERABLE TO ALLOW FOR ADA ACCESIBLE ENTRY REMOVE METAL GATE TO ALLOW FOR ADA ACCESIBLE ENTRY dxastudio.com 894 6th Avenue 5th Floor NYC 10001 T 212 874 0567
SCALE CLIENT PROJECT NUMBER DATE As Noted PINESTONE GREENE LLC 16.31 OCTOBER 17, 2017
40 GREENE AVE · EXISTING STOOP CONDITIONS
dxastudio.com 894 6th Avenue 5th Floor NYC 10001 T 212 874 0567
SCALE CLIENT PROJECT NUMBER DATE As Noted PINESTONE GREENE LLC 16.31 OCTOBER 17, 2017
40 GREENE AVE · PLANS
EXISTING CELLAR LEVEL EXISTING FIRST LEVEL PROPOSED CELLAR LEVEL PROPOSED FIRST LEVEL
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dxastudio.com 894 6th Avenue 5th Floor NYC 10001 T 212 874 0567
SCALE CLIENT PROJECT NUMBER DATE As Noted PINESTONE GREENE LLC 16.31 OCTOBER 17, 2017
40 GREENE AVE · PLANS
EXISTING SECOND LEVEL PROPOSED SECOND LEVEL
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dxastudio.com 894 6th Avenue 5th Floor NYC 10001 T 212 874 0567
SCALE CLIENT PROJECT NUMBER DATE As Noted PINESTONE GREENE LLC 16.31 OCTOBER 17, 2017
40 GREENE AVE · SECTIONS
EXISTING SECTION PROPOSED SECTION
dxastudio.com 894 6th Avenue 5th Floor NYC 10001 T 212 874 0567
SCALE CLIENT PROJECT NUMBER DATE As Noted PINESTONE GREENE LLC 16.31 OCTOBER 17, 2017
40 GREENE AVE · PROPOSED ACCESSIBLE ENTRANCE
8” 8”EXISTING ENTRANCE PLAN EXISTING ENTRANCE ELEVATION PROPOSED ENTRANCE PLAN PROPOSED ENTRANCE ELEVATION
dxastudio.com 894 6th Avenue 5th Floor NYC 10001 T 212 874 0567
SCALE CLIENT PROJECT NUMBER DATE As Noted PINESTONE GREENE LLC 16.31 OCTOBER 17, 2017
40 GREENE AVE · PROPOSED ACCESSIBLE ENTRANCE: AXON
EXISTING ENTRY PROPOSED ACCESSIBLE ENTRY
dxastudio.com 894 6th Avenue 5th Floor NYC 10001 T 212 874 0567
SCALE CLIENT PROJECT NUMBER DATE As Noted PINESTONE GREENE LLC 16.31 OCTOBER 17, 2017
40 GREENE AVE · PROPOSED FACADE, WITH ACCESSIBLE ENTRANCE
PROPOSED FACADE EXISTING FACADE
dxastudio.com 894 6th Avenue 5th Floor NYC 10001 T 212 874 0567
SCALE CLIENT PROJECT NUMBER DATE As Noted PINESTONE GREENE LLC 16.31 OCTOBER 17, 2017
TYPICAL SIGNAGE SECTION 3” = 1’ SIGNAGE PLAN 1-1/2” = 1’ SIGNAGE ELEVATION 1/2” = 1’ LIGHT FIXTURE INFORMATION SHEET
40 GREENE AVE · SIGNAGE AND LIGHTING DETAIL
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Application Wall luminaire with two-sided light output. For illumination and design tasks in architecture. The light directed downwards is intended to illuminate the wall and the horizontal surface in front of it. The light directed upwards is intended to illuminate the wall and ceiling surfaces. The used LED technique offers durability and optimal light output with low power consumption at the same time. Product description Luminaire made of aluminium alloy, aluminium and stainless steel Clear safety glass Silicone gasket Reflector made of anodised pure aluminium Mounting plate with 2 fixing holes ø 5.3 mm 160 x 14 mm spacing 2 cable entries for through-wiring of mains supply cable up to ø 10.5 mm dxastudio.com 894 6th Avenue 5th Floor NYC 10001 T 212 874 0567
SCALE CLIENT PROJECT NUMBER DATE As Noted EVENHAR 16.31 MAY 10, 2017
dxastudio.com 894 6th Avenue 5th Floor NYC 10001 T 212 874 0567
SCALE CLIENT PROJECT NUMBER DATE As Noted EVENHAR 16.31 MAY 10, 2017
40 GREENE AVE · STAINED GLASS EXISTING CONDITIONS
dxastudio.com 894 6th Avenue 5th Floor NYC 10001 T 212 874 0567
SCALE CLIENT PROJECT NUMBER DATE As Noted EVENHAR 16.31 MAY 10, 2017
40 GREENE AVE · ROSE WINDOW STABILIZATION
dxastudio.com 894 6th Avenue 5th Floor NYC 10001 T 212 874 0567
SCALE CLIENT PROJECT NUMBER DATE As Noted EVENHAR 16.31 MAY 10, 2017
40 GREENE AVE · STAINED GLASS HISTORY
Simon Berasaluce 1914-1993 Simon Berasaluce, born in Deva, was a resident of San Sebastian in the Basque country of Spain. His artistic training was received at the Royal Academies in Madrid and Barcelona. He apprenticed in Madrid before moving to Paris. It was in Paris that Mr. Berasaluce found his place in the art of stained glass. He worked with Maumejean for some years and received awards for his works. Among these was an international competition of design for Sacre Cour Church in
During 1951, Mr. Berasaluce came to the United States and practiced his art at Hiemer & Company in Clifton, NJ. He brought with him the knowledge of the emerging medium of faceted glass and the then innovative European liturgical decorative arts. His wide experience in design, painting, and color ranged from Romanesque to modern experimental. A man of genteel culture, he possessed a high energy level and worked rapidly. Although he preferred contemporary expression, his portraiture was outstanding. During his career, he created works of great beauty for churches throughout this
masters of the stained glass craft. After twenty-two years in the United States, Mr. Berasaluce and his family returned to their beloved Basque Country. In 1980, he was coaxed out of retirement to design a total of 8,731 square feet of stained glass for one hundred twenty windows at St. Cecilia Church in Leominster, MAS. This was the last project he did with Hiemer & Company. Simon Berasaluce will be sorely missed but his beautiful works will stand as testimony to his life for generations. He is survived by his wife Maria and daughter Patricia.