SLIDE 7 (
had a confrontation with the centre
(an African
nra^irlan* rrnnr m-.^r^ ^^^-^-^+'"^- with the transilo.tiona'l r.nrn.ral,i !!sDf,us.ru vyl J rrlt,rull UUUleI'd LrJlS WI l,Jl IJILe UIaIIS-r]L- .-OnS
and with the beautiful definition
lindted freed-om of press in his coriltry: "there is a relativefv / /\
f-^^ *-.^^
r,u4rtrng a press managed by my re-Latives'r)\.ot am not
S., Ir-inc Tnm Qinnr--nl- nlo--,'-^
11-.*
n^-^^-.li-^ f,vrrr u vuy}Jaru L- Pr@J waD ufsuvucDDa uf , uu u l,JLe !ej'soIlcLLL'La-
tion of imperial-Lsn plays up to exactly the way it is presenbecl in
+h^
nrnhl
nf na*fi crller ar:tnrq fnerrqq-ino ^n hha ul ls jJrsDD. 4D @ _p!uuly|r ur IJ4r vlvtla L auuv!D, IU.-^_*
structure-invarlant aspects of actors rather
I'7 \
rqnan*q nf lho qfrrrnt.'-\jJ ft chn-f l.nn,i a^- ^-.,''' nm +h^ f^i-l ^,,-ih-.
ur va ulrE D u!4v u4!sr \@
utlaltu f vI D4Jf IL5 ullc IUIIUWJITE:
focussing
people are i-n mosL settings, rather than the way the settings arc more or Iess regardless
nrrf inin *1r^ rrcn-inrrc nnqil-i^nc) !uu llruv urrg v@rruuD ywDf UIULLD/.
l'Ihat can one do about this? In four quite clifferent places
- f the world
- the execr tive
room in a presidentiaf
be that
state 6f corporation; in a trade-union meeting in an indust,:ial town in that same countrv; in the ]avish house
locat tecfLnocra c., (h,rro, tta.ral i o .nrnnrr *a c
* _Lc , (j uj.lrurd" ue , a.cao enLLc/ ]-n a danan,lon* aa'.ntr--. ^,,+ i ^ +^..
anA c^,.a1^.lf Cf itlnefant
usyErrusr1u vv@r urJ t vu u !rf ullu llf Drl J .tttw Dquarvu
la.horlr s"iwen nn'l 1. +h^ nhnina h^,Ween StafVatiOn a.nd ar:cpniinrr rio1ft
affu qvusyurl16 wv
by State and capitaf
i
,.hf^lA^ i laal f rPh^-- rro ]-an* ancrf in
hrri naf, . , ,."J P U ayaL u fft Dlaus, vu u lfl
in time: there is slmchronicity, simultaneity because things are happening al-l- over in these four nod-es of the structure at the
samo i:ime
mnro I'ike n,aral I el tra.r:ks (".'n.,r..o l-.hc oveel ]gnf,
U]fU C Ugf,
book by the Chilean arthor lvhnuel Rojas Punto de Riefes
__------E- German translation l,iould probably be Cleisende)Yi to divide this by se-
b-r qnan.es and aCtS WOUfd he io do inirrqf i oa *a ra. I i f.'
fffJ4r Lrus uv !gorr u.y.
Hence anothe-r suggestion would be a rotating stage divided into
fot:r n,ta.dr:nts. shor,.,,'i n.c" 9Oo a.f +1^^ +'in^ L4..'i-- tho sterra rni..c Lo
rvur quaul@!f UD ,
)V q V Uffg Ullllg t lfAV 1116
so that an illusion
can be obtained. To link the quadrants together one might have some actors in some cases that go from one to the other (as messngersron missionror whatever);